Liste de mandolinistes
Cet article est une liste de mandolinistes. Les instruments de la famille des mandolines sont populaires dans de nombreux genres musicaux et régions du monde, comme les musiques folkloriques ou populaires, le bluegrass, le blues et le jazz.
Musique classique
[modifier | modifier le code]1700
[modifier | modifier le code]- Carlo Sodi (1715-1788)[1]
- Pietro Denis (1720-1790)[2]
- Gabriele Leone (1732-1770)
- Bartolomeo Bortolazzi (1733-1820)[3]
- Giovanni Cifolelli (v.1740-1780)[4]
- Mademoiselle de Villeneuve (v.1740-v.1780)[5]
- Alexandro Marie Antoin Fridzeri (1741-1825)[6]
1750
[modifier | modifier le code]- Wenzel Krumpholz (1750-1870)
- Jan Křtitel Kuchař (1751–1829)
- Friedrich August Baumbach (1753–1813)
- Federigo Fiorillo (1755–1823)
- Giovanni Fouchetti (1757-1789)[7]
- Giovanni Battista Gervasio (v.1762-1784)
- Vincent Houška (1766-1840) (Tchécoslovaquie)[8]
- Giovanni Hoffmann (v.1770-1814/40) (ou Johann Hoffmann, Vienne)[9]
- Bartolomeo Bortolazzi (en) (1772-1846)
- Carlo Antonio Gambara (v.1780-v.1830)
- Pietro Vimercati (v.1780-1850)[10]
- Luigi Castellacci (1797-1845)
1800
[modifier | modifier le code]- Giovanni Vailati (1815-1890)[11]
- Eduardo Mezzacapo (1832-1898)[7]
- Giuseppe Branzoli (1835-1909) (Italie)
- Serafino Alassio (1836–1915)
- Carmine de Laurentiis (v.1840-v.1890)[12]
- Giuseppe Silvestri (1841-1921)
- Pietro Armanini (1844-1895) (Italie)
- Ferdinando de Cristofaro (1846-1890)
- Giuseppe Bellenghi (1847-1902)
1850
[modifier | modifier le code]- Jean Pietrapertosa (1855-1940)
- Baldomero Cateura (1856-1929)
- Carlo Munier ( 1859-1911) (Italie)
- Carlo Curti (1859-1926, Italie, USA et Mexique)[13]
- Arling Shaeffer (1859-1938, USA)
- Raffaele Calace (1863-1934, Italie)
- Hiruma Kenpachi (1864–1936)
- Clarence L. Partee (1864-1915, Italie et USA)
- Herbert J. Ellis (1865-1903)
- Michele Fasano (1867–1935 (?))
- Jules Cottin (1868-1922)
- Vittorio Monti (1868–1922)
- George H. Hucke (1868-1903)
- Seth Weeks (1868-1953) (USA)
- Heinrich Albert (1870–1950)
- W. Eugene Page (v.1870-v.1920, USA)
- Michele Fasano (v.1870-v.1940) (Italie, Angleterre)
- Salvador Léonardi (1872-1938, Italie)
- Carl Henze (1872–1946)
- Valentine Abt (1873-1942) (USA)
- Bob Yosco (1874-1942) (Italie, USA)
- Mario Macciochi (1874-1955) (Italie, France)
- Michele Salvatore Ciociano (1874-1944) (Italie)[14],[15]
- Giuseppe Pettine (1874-1966) (Italie, USA)
- Samuel Siegel (1875-1948) (USA)
- Edgar Bara (1876-1962)
- Nikolaos Lavdas (1879-1940)
- Bernardo De Pace (1881-1966)[16]
- James Reese Europe (1881-1919, USA)
- Silvio Ranieri (1882–1956, Italie)
- Giovanni Gioviale (1885-1949, Italie)
- Jeanne Ricada-Mathorez (1887-1980, France)
- Morishige Takei (1890-1949) (Japon)
1900
[modifier | modifier le code]- Rudy Cipolla (1900-2000)
- Jiro Nakano (1902-2000, Japon)
- Konrad Wölki (1904-1983, Allemagne)
- Giovanni Vicari (1905-1985, USA)[17]
- Nino Catania (1907-1985, Italie)
- Giuseppe Anedda (1912-1997)
- Matteo Casserino (1913-2001)
- Kurt Jensen (1913-2011, Australie)
- Dahmane El Harrachi (1926-1980)
- Ursula Horn (1932–2015)
- Takashi Ochi (1934-2010, Japon)
- Yasuo Kuwahara (1946-2003, Japon)
- Vittorio Orabona (1945-2021, Naples, Italie)[18]
Contemporains
[modifier | modifier le code]Chefs d'orchestres
[modifier | modifier le code]Bluegrass
[modifier | modifier le code]Le style de Bill Monroe, qui reste la référence pour de nombreux mandolinistes de bluegrass, reposait sur la capacité à suggérer la mélodie à l'aide de trémolos ou de suites d'accords. Il restait très proche de celui du violon car la main doit y alterner les mouvements de haut en bas, et de bas en haut, même lorsque le plectre ne touche pas les cordes, comme si elle était un archet[19]. D'autres mandolinistes bluegrass, comme Andy Statman, ont été plus influencés par le jeu de crosspicking qui fut mis au point, par imitation des roulements de banjo d'Earl Scruggs, par Jesse McReynolds[20].
- Bill Monroe (1911-1996, USA)[21]
- Charlie Bailey (1916-2004, USA)
- John Duffey (1934-1996, USA)
- Pierre Bensusan
- Joe Booher
- Jerry Garcia
- Jimmy Gaudreau
- David Grisman[21]
- David Harvey
- Chris Hillman
- Martie Maguire
- Jesse McReynolds
- Jacky Molard
- Emily Robison
- Ricky Skaggs[21]
- Andy Statman
- Chris Thile[21]
- Dan Tyminski
Country
[modifier | modifier le code]- Karl Davis (1905-1979) (USA)
- Howard Amstrong (1909-2003)
- Bill Bolick (1919-1998) (USA)
- Jethro Burns (1920-1989) (USA) (aussi bluegrass et jazz)
- Tut Taylor (1923-2015) (USA)
- Pee Wee Lambert (1924-1965) (USA)
- Mike Seeger (1933-2009) (USA)
- Mike Blakely
- Steve Earle
- Jesse McReynolds
- Bill Monroe
Jazz et blues
[modifier | modifier le code]- Coley Jones (v.1880–v.1930, USA, blues)
- Dave Apollon (1898-1972, USA, jazz)
- Bobbie Leecan (1897-1946) (USA, blues)
- John Abercrombie
- Ry Cooder
- Rory Gallagher
- David Grisman
- Jean-Louis Mahjun
- Yank Rachell
- Andy Statman
- Chris Thile
Musique celtique
[modifier | modifier le code]Old-time
[modifier | modifier le code]- Orpha Powers (1887-1940, USA, aussi country)
- Johnny Gimble
- Charlie McCoy
Rock, pop et folk
[modifier | modifier le code]- Peter Buck
- Alan Doyle
- John Paul Jones
- Eric McFadden
- Marcus Mumford
- Dave Pegg
- Jean-Pierre Riou
- Pierre Sangra
- Pete Seeger
- Patrick Vaillant
World
[modifier | modifier le code]- Jacob do Bandolim (1918-1969, Brésil) (Choro, Samba-canção)
- Hadj El Anka
- Dahmane El Harrachi
- Hamilton de Holanda
- Lounès Matoub
- Panayótis Toúndas
- Patrick Vaillant
Notes et références
[modifier | modifier le code]- Philip J. Bone, The Guitar and Mandolin, Schott and Company, , 275–276 p. (lire en ligne) :
« ...a mandoli virtuoso of the early school...lived in Paris from 1749...the two brothers [Pietro Sodi]appeared together as mandolinist and harpist at numerous important concerts...engaged in the orchestra of the Comédie Italienne...Com »
- Philip J. Bone, The Guitar and Mandolin, Schott and Company, (lire en ligne), p. 85 :
« ...was a renowned French mandolin virtuoso and teacher...devoted himself to the popularization of the mandolin, of which instrument he was a consummate artist. »
- Philip J. Bone, The Guitar and Mandolin, Schott and Company, , 51–52 p. (lire en ligne) :
« Instead of the monotonous, nasal tone...he so manipulated the strings and plectrum...that he opened an enlarged sphere of capabilities for the instrument...It is to Bortolazzi we are indebted for the first revival of the mandolin. »
- Philip J. Bone, The Guitar and Mandolin, Schott and Company, , 73–74 p. (lire en ligne) :
« In 1764, he made his appearance in Paris as a mandolin virtuoso and was highly esteemed, both as a performer and a teacher. »
- « SPECTACLES. Concert spirituel. », Mercure de France, France, , p. 151 (lire en ligne, consulté le ) :
« "It was loudly applauded at Mademoiselle de Villeneuve's execution (performance), who played the mandolin concerto of Mr. Stritzeri with lightness and precision". She should not be confused with French novelist Gabrielle-Suzanne Barbot de Villeneuve who had died on that date. This is one of the first mentions of a woman mandolin virtuoso. »
- Philip J. Bone, The Guitar and Mandolin, Schott and Company, , 110–112 p. (lire en ligne) :
« ...he toured through Europe as a blind mandolin virtuoso...his repertoire consisted of the concertos of Tartini, the principal works of Pugnani and Ferrari, and several of his own compositions...Giuseppe Bellinghe, mandolinist and composer, has dedicated his excellent variations for mandolin and piano on the Carnival of Venus to the memory of Fridzeri, the blind mandolin player and composer. »
- « Napoli - Eduardo Mezzacapo » [archive du ].
- Philip J. Bone, The Guitar and Mandolin, Schott and Company, (lire en ligne), p. 147 :
« ...he made a concert tour through Austria and Germany...where his performances of both instruments (cello and mandolin) were highly spoken of...his public performances attracted considerable notice and won for him an enviable reputation. »
- « WEISS, SILVIUS LEOPOLD Sonata No. 20 in D minor, Sonata No. 14 in G minor JOHANN HOFFMANN Sonata in G major, Sonata in D minor. Birgit Schwab, Daniel Ahlert. Naxos », sur mdt.com (consulté le ) : « ...JOHANN HOFFMANN (1770–c.1814)...and the Viennese mandolinist Johann Hoffmann were considered the greatest virtuosos of their day in their respective fields... »
- G. A. Biaggi, « The Lute and the Mandolin, with some remarks on Sig. Giovanni Vailati in connection with them (reprint from La Gazetta Musicale in Milan) », William Duncan Davison, London, vol. 53, no 12, , p. 204–205 (lire en ligne, consulté le ) :
« At the commencement of the present [19th] century, Pietro Vermercati enjoyed the reputation of being a most accomplished mandoline-player. He died at a good old age at Genoa, in 1850. »
- G. A. Biaggi, « The Lute and the Mandolin, with some remarks on Sig. Giovanni Vailati in connection with them (reprint from La Gazetta Musicale in Milan) », William Duncan Davison, London, vol. 53, no 12, , p. 204–205 (lire en ligne, consulté le ) :
« ...like Vimercati, designated the Panini of the mandolin...For Vailati the mandoline no longer presents any difficulties. As an executant he is always sure and always the most correct. In runs and variations on the fifth string, he excites the wonder of everyone. But he prefers plain melody, and in this there are really very few instrumentalists like him. »
- Philip J. Bone, The Guitar and Mandolin, Schott and Company, (lire en ligne), p. 175 :
« ...an Italian mandolinist and guitarist of repute, who lived in Naples...the first teacher to give serious instruction on the mandolin to the virtuoso and composer Carlo Munier...produced one of the greatest exponents of the mandolin. »
- Continuum Encyclopedia of Popular Music of the World Part 1 Performance and Production, Volume 2, A&C Black, (ISBN 9781847144720, lire en ligne), p. 444 :
« Curti... form[ed] his own 'Spanish Students' mandolin orchestra, thus starting a grass-roots mandolin orchestra craze. »
- Paul Sparks. The Classical Mandolin. Oxford: Clarendon Press; New York: Oxford University Press, 1995. pp. 193-4.
- Ettore de Mura. Enciclopedia della canzone napoletana. Vol I. Napoli - Il Torchio. 1969. pp. 221-222.
- « Brooklynite Heads World's Mandolinists », Brooklyn Eagle, Brooklyn, New York, , p. 10 (lire en ligne, consulté le ) :
« won the International Mandolin Contests...successful in several [Vaudeville] acts...Metroplitan Opera House...hailed in European capitals as the King of the Mandolin... »
- « Giovanni Vicari – Occhi di Bambola », sur excavatedshellac.com, (consulté le ) : « undisputed mandolin and banjo master...recorded mazurkas, tangos, and folk melodies from Naples and Sicily...rarely left New York’s Little Italy... »
- Henry Bakis (2021), Il maestro Vittorio Orabona : (1945-2021): biografia, discografia. Montpellier, France Kiryat Ata, Israel : Editions Bakish. 34 p.
- (en) « Mike Compton : A Monroe Protege Spreads the Style, Bill Graham - Special for the Mandolin Cafe - March 19, 2009 », sur Mandolin Café (consulté le ).
- (en) « Interview with Jesse McReynolds, John Baldry and Jan Jerrold, British Bluegrass News, May 1985 », sur Le site de John Baldry (consulté le ).
- (en) Kim Ruehl, « Great Mandolin Players », sur ThoughtCo, (consulté le ).